Dr. Folkert Degenring

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Contact

Institute for English/American Studies

University of Kassel
Kurt-Wolters-Str. 5

34125 Kassel

Study

since 2008ongoing habilitation project, University of Kassel, Institute for English and American Studies
2007Doctorate, University of Mannheim, Faculty of Philosophy
2000Diploma, University of Mannheim, English Department
1997Visiting student, University College Galway, Ireland

 

Professional career

since April 2007Research Assistant, Department of English and American Studies, University of Kassel, Germany  
April 2006 - Sep. 2006Research Assistant, Institute for English and American Studies, University of Kassel  
April 2005 - Sep. 2005Lecturer, Department of English, University of Mannheim  
2001 - 2007Lecturer, Universities of Mannheim and Kassel  

 

Memberships and Offices

British Society for Literature and Science, Overseas Officer (Europe)

German Association of English Studies

Society for Canadian Studies

Interdisciplinary Working Group on Women's and Gender Studies

Journal of Literature and Science, Advisory Board

Literature and Science Research Group, University of Bergen

Society for Literature, Science, and the Arts

ZFF Research Focus Inequalities in Gender Relations

ZFF Research Focus Normality and Order

Research Network Loss of Night, associate member

 

Fellowships and Awards

2008shortlist Hessian University Award for Excellence in Teaching  

Winter Term 2013/2014

Understanding Comics - Proseminar -

Introduction to Drama - Proseminar -

 

summer term 2013

Introduction to Literary Theory - Proseminar -

Out of This World? The Case of Science Fiction - Advanced seminar -

 

summer term 2012

Oliver Twist Meets the Jack-Roller - A Sociological and Literary Studies Perspective on Deviant Behavior - Hauptseminar -

 

Winter Term 2011/12

Introduction to Literary Theory - Proseminar -

Cityscapes - Proseminar -

Night - Advanced seminar -

 

Summer Term 2011

Forbidden Words: Drama and Censorship - Proseminar -

Violence and Gender - Advanced seminar -

 

Winter Term 2010/11

Introduction to Fiction - Proseminar -

19th Century Literature and Science - Proseminar -

 

Summer Term 2010

Introduction to Literary Theory- Proseminar -

 

Winter Term 2009/10

Canadian Dystopias: Atwood, Coupland, Doctorow - Proseminar -

Understanding Comics: Image, Text and Narrative - Proseminar -

Fragments: Identity and the Postmodern British Novel - Hauptseminar -

 

Summer Term 2009

Introduction to Fiction - Proseminar -

Shakespeare Rewritings - Proseminar -

 

Winter Term 2008/09

Examining the Past: The Historical Novel and Historiographic Metafiction - Proseminar -

Introduction to Literary Theory - Proseminar -

 

Summer Term 2008

Introduction to Drama: The End of Censorship - Proseminar -

H. G. Wells - Proseminar -

 

Winter Term 2007/08

18th Century Literature: Defoe and Swift - Proseminar -

Introduction to Fiction: Reading the Novel - Proseminar -

 

Summer Term 2007

Alternate Histories? The Novels of E.L. Doctorow - Proseminar -

Introduction to Literary Theory - Proseminar -

 

Winter Term 2006/07

19th Century Literature and Science - Proseminar -

Women's Writing in the New World - Proseminar -

 

Summer Term 2006

Realism and Experiment in the 1980s: Banville, Ishiguro and Swift - Proseminar -

Monographs

2008Identity at the nexus of deconstruction and (re)construction in the contemporary British novel: Peter Ackroyd, Iain Banks, A.S. Byatt. Tübingen: Gunter Narr, 2008. print.  

 

Articles and book chapters

in printWith Susanne Bach. "From Shakespearean Nights to Light Pollution: (Artificial) Light in Fiction." The Bright Side of Night: Perceptions, Costs and the Governance of Urban Lighting and Light Pollution. Eds. Ute Hasenöhrl, Katharina Krause, Josiane Meier & Merle Pottharst. London: Routledge.  
2013"The Invisible Science? Chemistry, Science Fiction, and Popular Culture." Chemistry and Literature: Elective Affinities. Eds. Margareth Hagen & Margery Vibe Skagen. Aarhus: Aarhus University Press.  
2013"Describing Gender: Deconstructivist Perspectives in Literary Studies Using Stephenie Meyer's Twilight as an Example." (Re)Constructing Gender: On the Methodological and Methodological Productivity of Women's and Gender Studies. Eds. Mechthild Bereswill & Katharina Liebsch. Münster: Westfälisches Dampfboot. 196-213. print.  
2011Re-Makings: Human/Animal Hybrids in Margaret Cavendish, H. G. Wells and China Miéville. The Human and Its Limits. Eds. Margareth Hagen, Randi Koppen & Margery Vibe Skagen. Oslo: Scandinavian Academic Press. Print.  
2010Taboo, Transgression and (Self-)Censorship in 20th Century British Theatre. In: Taboo and Transgression in British Literature from the Renaissance to the Present. (Eds.) Stefan Horlacher, Stefan Glomb & Lars Heiler. New York: Palgrave Macmillan, 2010. 227-43. print.  
2010Women, Aliens and Monsters: violence and gender in Iain M. Banks's Culture and Charles Stross's Laundry novels. Violence gender fiction: discourses of violence and gender issues in contemporary English-language novels, dramas, and films. Ed. Susanne Bach. Trier: WVT, 2010. 101-124. print.  
2009BildbeSchreibung, authenticity, and identity in Peter Ackroyd's Chatterton. Bilder BeSchreiben: Intersemiotic Transformations. Eds. Winfried Nöth & Peter Seibert. Kassel: Kassel UP, 2010. 247-72. print.  
2004Identity and identity constructions in Iain Banks' The Wasp Facory. In Beyond Extremes: representations and reflections of modernizing processes in the contemporary British novel. Stefan Glomb and Stefan Horlacher (eds.). Tübingen: Gunther Narr. 2004. 101-117. print.  
2001'The merits of two realities existing simultaneously': postmodernism and transcendence in Peter Ackroyd's The Plato Papers." Spirituality and Transcendence in Modern English Literature. Ed. Susanne Bach. Paderborn: Schöningh, 2001. 71-90. print.  

Minor articles and reviews

2014With Ute Hasenöhrl and Susanne Bach. "Light pollution - cultural history and literary studies." Loss of Night. Eds. Loss of Night Research Association. Web. Web. www.verlustdernacht.de/tl_files/VDN/Literature/
2011Review: Ryan Barnett and Serena Trowbridge (eds), Acts of Memory: The Victorians and Beyond. Book Reviews. The British Society for Literature and Science. Web. www.bsls.ac.uk/reviews/
2011Review: Margareth Hagen, Randi Koppen and Margery Vibe Skagen (eds), The Art of Discovery: Encounters in Literature and Science. Book Reviews. The British Society for Literature and Science. Web. www.bsls.ac.uk/reviews/
2009With Sarah Heinz. "Review of Martin Schüwer, How Comics Tell Stories." Journal of English and American Studies57.4 (2009): 429-30. print.
2009Biography of Iian Banks. In Kindlers Literatur Lexikon. Heinz Ludwig Arnold (ed.). Stuttgart: Metzler, 2009. print.
2009Biography of Iain Sinclair. In: Kindlers Literatur Lexikon. Heinz Ludwig Arnold (ed.). Stuttgart: Metzler, 2009. print.
2009The Wasp Factory. In: Kindlers Literatur Lexikon. Heinz Ludwig Arnold (ed.). Stuttgart: Metzler, 2009. print.
2009Lud Heat. In: Kindlers Literatur Lexikon. Heinz Ludwig Arnold (ed.). Stuttgart: Metzler, 2009. print.
2002Iain Banks. In: Metzler Encyclopedia of English-Language Authors. Eberhard Kreutzer and Ansgar Nünning (ed.). Stuttgart: Metzler, 2002. print.
2002Iain Sinclair. In: Metzler Lexikon englischsprachiger Autorinnen und Autoren. Eberhard Kreutzer and Ansgar Nünning (ed.). Stuttgart: Metzler, 2002. print.

 

Lectures

2014On Behalf of Darkness? Functionalizations of Light Pollution in Fiction. Annual Conference. British Society for Literature and Science. University of Surrey, UK.  
2013"From Shakespearean Nights to Light Pollution: (Artificial) Light in Fiction." The Bright Side of Night: International Conference on Perceptions, Costs and the Governance of Urban Lighting and Light Pollution. IRS Leibniz Institute for Regional Development and Structural Planning.  
2013"Travelling Concepts and Working Identities." Making Differences: Interdisciplinary Dialogues in Women's and Gender Studies. Research focus on inequalities in gender relations. University of Kassel.  
2013"Literature and Science as Discourse and Systems." Annual Conference. British Society for Literature and Science. Cardiff University, UK.  
2012"Discourses or Systems? Literature, Science, and Society." SciLiterature: Narrativizing Science, Workshop 2. University of Bergen, NO.  
2012Truth and Distraction: Science and Narrative in Contemporary Literature. SciLiterature: Narrativizing Science. University of Ferrara, IT.  
2012"How many Cultures? Literature, Science, and Theory." Annual Conference. British Society for Literature and Science. University of Oxford, UK.  
2011The Invisible Science? Chemistry, Science Fiction, and Popular Culture. Literature and Chemistry: Elective Affinities. Literature and Science Research Group. University of Bergen, NO.  
2011With Susanne Bach "'A lamp for a nightmare': light and dark in late Victorian literature." Artificial Lighting and Society. Loss of Night Research Network. Technical University, Berlin.  
2010With Susanne Bach "Violent Futures: discourses of violence, inequality, and gender in the work of Canadian author Margaret Atwood." Inequalities in Gender Relations. Interdisciplinary Working Group on Women's and Gender Studies. University of Kassel.  
2010Re-Makings: Human/Animal Hybrids in Margaret Cavendish, H. G. Wells and China Miéville. The Human and Its Limits. Literature and Science Research Group. University of Bergen, NO.  
2010Special Circumstances: Mind, Body and Gender in Recent Science Fiction. Annual Conference. British Society for Literature and Science. Northumbria University, Newcastle-upon-Tyne, UK.  
2010"Border Crossings: The Travel Motif in W. G. Sebald's The Rings of Saturn." Travel in Literature. Institute of German Studies. University of Kassel.  
2009Uncertain Principles: On Science in George Eliot's Middlemarch and John Fowles' The French Lieutenant's Woman. Annual Converence. British Society for Literature and Science. University of Reading, UK.  
2010Moral Pornography? Angela Carter's The Infernal Desire Machines of Dr Hoffman. Eroticism and pornography in literature and media. Institute for German Studies. University of Kassel.  
2007BildbeSchreibung, Authenticity and Identity in Peter Ackroyd's Chatterton. Bilder BeSchreiben/On Images. IAG Cultural Research. University of Kassel.  

"The Category of Gender and Intersectional Narrative Text Analysis."

The aim of the pilot study on the category of gender and intersectional narrative text analysis, funded by the Hessian Ministry of Science and Art, is to explore the analytical potential and operationalization of the social science concept of intersectionality for gender research in literary studies. At the same time, it also serves to explore the possible contribution of specifically literary intersectionality analyses to interdisciplinary gender research.
The study is based on two theoretical premises. The first is that the production context of literature is reflected in literary texts regardless of authorial intention. The production context includes societal and cultural structures, but also, and above all, the subjective experiences of authors who, as individual subjects, represent specific interfaces of societal discourses and practices: Literary texts are thus expressive spaces of both social structures and individual experiences. And second, that the concrete structural context and the relative significance of these dimensions of inequality, which intersectional analyses trace, are variable depending on the context and in principle unpredictable.
This means quite concretely that literary texts reveal structures and dimensions of social inequality and may even openly comment on them, but also that as artistic-symbolic representations of social reality they obey their own rules. From a methodological point of view, this implies that a study of the interdependence of gender and other dimensions of inequality in narrative texts must combine aspects of literature and social science.