Publications

Bank, Charlotte: The Contemporary Art Scene in Syria: Social Critique and an Artistic MovementLondon and New York: Routledge 2020

Bank, Charlotte: "Negotiating masculinity in the works of Iranian Diaspora artists", in Schirin Nowrousian, Michael Hofmann and Tobias Schickhhaus (eds.): Transcultural interactions through arts and social. Iranian Diaspora in Europe and beyond, Würzburg: Königshausen and Neumann 2022, pp. 123 - 137

Bank, Charlotte: "Performing critique: Chaza Charafeddine's Divine Comedy as an inter-temporal dialogue on gender and sexual diversity," in Pedram Khosronejad (eds.): Beauty and the Beast: photography, the body and sexual discourse in the Middle East and Central Eurasia, Journal of the Anthropology of the Contemporary Middle East and Central Eurasia 5 & 6, Summer 2017 - Winter 2018/19, pp. 85 - 101 (forthcoming 2021)

Bank, Charlotte: "Feminism and Social Critique in Syrian Contemporary Art," in Ceren Özpınar and Mary Kelly (eds.): Under the Skin: Feminist Art from the Middle East and North AfricaToday, Oxford: Proceedings of the British Academy 2020, pp. 26 - 40. 

Bank, Charlotte: "Film and Video as a Space for Political Expression and Social Critique in Syria," Artl@s Bulletin 9:1, 2020

Bank, Charlotte: "Give Sorrow Images: Trauma and Loss in the Works of Displaced Artists from Syria," in Lucy Wrapson, Victoria Sutcliffe, Sally Woodcock, and Spike Bucklow (eds.): Migrants: Art, Artists, Materials and Ideas Crossing Borders, London: Archetype Publications 2019, pp. 130 - 140

Bank, Charlotte: "Art Education in Twentieth Century Syria," in Nino Nanobashvili and Tobias Teutenberg (eds.): Drawing Education Worldwide! Continuities - Transfers - Mixtures, Heidelberg: University of Heidelberg Press 2019, pp. 305 - 319.

Bank, Charlotte: "Remaking a world: Recently displaced artists from Syria in Berlin", in: Johanna Rolshoven and Joachim Schlör (eds.): Artistic Positions and Representations of Mobility and Migration, Mobile Cultures Studies 4, 2018, pp. 171 - 182

Bank, Charlotte, "Translating Commitment. Some Thoughts on Critical Artistic Production in the Arab World," in Jelle Bouwhuis (eds.): Furthering, nurturing and futuring Global Art Histories?, Kunstlicht 39:1, 2018, pp. 35 - 42.

Bank, Charlotte: "Painting as critique: Oil painting as a site for social and political negotiation in Syria,"in: Silvia Naef and Elahe Helbig (eds.): Visual Modernity in the Arab World, Turkey and Iran: Reintroducing the 'Missing Modern', Asiatische Studien / Études Asiatiques 70:4, 2016, pp. 1285 - 1306

Bank, Charlotte: "Calling things by their real names: Anonymous artistic production and the Syrian uprising," Fusion Journal 9, Anonymous: The Void in Visual Culture, Fall 2016.

Bank, Charlotte: "The Art of Persuasion. Posters of the Anonymous Syrian Artist Collective Alshaab alsori aref tarekh," in:Malu Halasa, Zaher Omareen and Nawara Mahfoud (eds.): Syria Speaks. Art and Culture from the Frontline, London: Saqi Books 2014, pp. 66 - 83.

Bank, Charlotte, "Veiled Visuality. Video Art in Syria," ISIM Review, Fall 2008.

Bank, Charlotte:"Marwan Kassab-Bachi," Mathaf Encyclopedia, Doha: Mathaf Arab Museum of Modern Art, 2021.

Bank, Charlotte: "Un/visible Cities - the Visual Worlds of Tammam Azzam," in Tammam Azzam Twilight and Morning Light, Sesto: Museum Rudolf Stolzand Berlin: Galerie Kornfeld 2020 (no page numbers).

Bank, Charlotte, "Perpetual Metamorphosis. The Paintings of Marwan, " Berlin : Galerie Haas 2018, pp. 13 - 14.

Bank, Charlotte, "Precarious Life. The Photography of Mohamed Badarne," in Come Back Safely. Mohamad Badarne, Berlin: European Center for Constitutional and Human Rights e.V., 2016, pp. 85 - 87.

Bank, Charlotte, "Marwan. Topographies of the Soul, " in :Marwan Qassab Bachi. Topographies of the Soul, Sharjah: Barjeel Art Foundation, 2014, pp. 1 - 3.

Bank, Charlotte and Leccas, Delphine: "Whose Contemporaneity?", in: Errors Allowed, Mediterranea 16 - Young Artists Biennial Ancona 2013, Macerata: Quodlibet 2013, pp. 130 - 137.

Bank, Charlotte, "Open Secrets. Contemporary art in Syria", in: After the Rage, Athens 2011(no page numbers).

Bank, Charlotte: "Still Lives - Still Alive," in:Mohammad Said Baalbaki, Damascus: Rafia Gallery, 2010 (no page numbers).

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