Publications

Banque, Charlotte : The Contemporary Art Scene in Syria : Social Critique and an Artistic Movement (La scène artistique contemporaine en Syrie : critique sociale et mouvement artistique).Londres et New York : Routledge 2020

Bank, Charlotte : "Negotiating masculinity in the works of Iranian Diaspora artists", in Schirin Nowrousian, Michael Hofmann and Tobias Schickhhaus (eds.) : Transkulturelle Wechselwirkungen durch Künste und Soziales. Iranische Diaspora in Europa und darüber hinaus, Würzburg : Königshausen and Neumann 2022, pp. 123 - 137

Bank, Charlotte : "Performing critique : Chaza Charafeddine's Divine Comedy as an inter-temporal dialogue on gender and sexual diversity", in Pedram Khosronejad (eds.) : Beauty and the Beast : photography, the body and sexual discourse in the Middle East and Central Eurasia, Journal of the Anthropology of the Contemporary Middle East and Central Eurasia 5 & 6, Summer 2017 - Winter 2018/19, p. 85 - 101 (à paraître en 2021)

Bank, Charlotte : "Feminism and Social Critique in Syrian Contemporary Art", in Ceren Özpınar and Mary Kelly (eds.) : Under the Skin : Feminist Art from the Middle East and North AfricaToday, Oxford : Proceedings of the British Academy 2020, p. 26 - 40 

Bank, Charlotte : "Film and Video as a Space for Political Expression and Social Critique in Syria", Artl@s Bulletin 9:1, 2020

Bank, Charlotte : "Give Sorrow Images : Trauma and Loss in the Works of Displaced Artists from Syria", dans Lucy Wrapson, Victoria Sutcliffe, Sally Woodcock et Spike Bucklow (eds.) : Migrants : Art, Artists, Materials and Ideas Crossing Borders, Londres : Archetype Publications 2019, p. 130 - 140

Bank, Charlotte : "Art Education in Twentieth Century Syria", dans Nino Nanobashvili et Tobias Teutenberg (eds.) : Drawing Education Worldwide ! Continuities - Transfers - Mixtures, Heidelberg : University of Heidelberg Press 2019, pp. 305 - 319

Bank, Charlotte : "Remaking a world : Recently displaced artists from Syria in Berlin", in : Johanna Rolshoven et Joachim Schlör (eds.) : Artistic Positions and Representations of Mobility and Migration, Mobile Cultures Studies 4, 2018, p. 171 - 182

Bank, Charlotte : "Translating Commitment. Some Thoughts on Critical Artistic Production in the Arab World", in : Jelle Bouwhuis (eds.) : Furthering, nurturing and futuring Global Art Histories ?, Kunstlicht 39:1, 2018, p. 35 - 42

Bank, Charlotte : "Painting as critique : Oil painting as a site for social and political negotiation in Syria",in : Silvia Naef and Elahe Helbig (eds.) : Visual Modernity in the Arab World, Turkey and Iran : Reintroducing the 'Missing Modern', Asiatische Studien / Études Asiatiques 70:4, 2016, p. 1285 - 1306

Bank, Charlotte : "Calling things by their real names : Anonymous artistic production and the Syrian uprising", Fusion Journal 9, Anonymous : The Void in Visual Culture, Fall 2016

Bank, Charlotte : "The Art of Persuasion. Posters of the Anonymous Syrian Artist Collective Alshaab alsori aref tarekh", in :Malu Halasa, Zaher Omareen and Nawara Mahfoud (eds.) : Syria Speaks. Art and Culture from the Frontline, Londres : Saqi Books 2014, p. 66 - 83

Bank, Charlotte : "Veiled Visuality. Video Art in Syria", ISIM Review, Fall 2008

Bank, Charlotte :"Marwan Kassab-Bachi", Encyclopédie Mathaf, Doha : Mathaf Arab Museum of Modern Art, 2021

Bank, Charlotte : "Un/sichtbare Städte - die Bildwelten von Tammam Azzam", in Tammam Azzam Dämmerung und Morgenlicht, Sesto : Museum Rudolf Stolz et Berlin : Galerie Kornfeld 2020 (sans numéro de page)

Bank, Charlotte : "Perpetual Metamorphosis. The Paintings of Marwan", Berlin : Galerie Haas 2018, p. 13 - 14

Bank, Charlotte : "Precarious Life. The Photography of Mohamed Badarne", dans : Come Back Safely. Mohamad Badarne, Berlin : European Center for Constitutional and Human Rights e.V., 2016, p. 85 - 87

Bank, Charlotte : "Marwan. Topographies of the Soul", dans :Marwan Qassab Bachi. Topographies of the Soul, Sharjah : Barjeel Art Foundation, 2014, p. 1 - 3

Bank, Charlotte et Leccas, Delphine : "Whose Contemporaneity ?", dans : Errors Allowed, Mediterranea 16 - Young Artists Biennial Ancona 2013, Macerata : Quodlibet 2013, p. 130 - 137

Bank, Charlotte : "Open Secrets. Contemporary art in Syria", in : After the Rage, Athens 2011(sans numéro de page)

Bank, Charlotte : "Still Lives - Still Alive", in :Mohammad Said Baalbaki, Damascus : Rafia Gallery, 2010 (sans numéro de page)

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