Publicaciones

Bank, Charlotte: La escena del arte contemporáneo en Siria: crítica social y un movimiento artísticoLondres y Nueva York: Routledge 2020

Bank, Charlotte: "Negotiating masculinity in the works of Iranian Diaspora artists", en Schirin Nowrousian, Michael Hofmann y Tobias Schickhhaus (eds.): Transcultural interactions through arts and social affairs. Iranian Diaspora in Europe and beyond, Würzburg: Königshausen y Neumann 2022, pp. 123 - 137

Bank, Charlotte: "Performing critique: Chaza Charafeddine's Divine Comedy as an inter-temporal dialogue on gender and sexual diversity", en Pedram Khosronejad (eds.): Beauty and the Beast: photography, the body and sexual discourse in the Middle East and Central Eurasia, Journal of the Anthropology of the Contemporary Middle East and Central Eurasia 5 & 6, verano 2017 - invierno 2018/19, pp. 85 - 101 (publicado 2021)

Bank, Charlotte: "Feminism and Social Critique in Syrian Contemporary Art", en Ceren Özpınar y Mary Kelly (eds.): Under the Skin: Feminist Art from the Middle East and North AfricaToday, Oxford: Proceedings of the British Academy 2020, pp. 26 - 40 

Bank, Charlotte:"Film and Video as a Space for Political Expression and Social Critique inSyria", Artl@s Bulletin 9:1, 2020

Bank, Charlotte: "Give Sorrow Images: Trauma and Loss in the Works of Displaced Artists from Syria", en Lucy Wrapson, Victoria Sutcliffe, Sally Woodcock y Spike Bucklow (eds.): Migrants: Art, Artists, Materials and Ideas Crossing Borders, Londres: Archetype Publications 2019, pp. 130 - 140

¡Bank, Charlotte: "Art Education in Twentieth Century Syria", en Nino Nanobashvili y Tobias Teutenberg (eds.): Drawing Education Worldwide! Continuities - Transfers - Mixtures, Heidelberg: University of Heidelberg Press 2019, pp. 305 - 319.

Bank, Charlotte: "Remaking a world: Recently displaced artists from Syria in Berlin", en: Johanna Rolshoven y Joachim Schlör (eds.): Artistic Positions and Representations of Mobility and Migration, Mobile Cultures Studies 4, 2018, pp. 171 - 182.

Bank, Charlotte: "Traducir el compromiso. Some Thoughts on Critical Artistic Production in the Arab World", en: Jelle Bouwhuis (eds.): Furthering, nurturing and futuring Global Art Histories?, Kunstlicht 39:1, 2018, pp. 35 - 42

Bank, Charlotte: "Painting as critique: Oil painting as a site for social and political negotiation in Syria",en: Silvia Naef y Elahe Helbig (eds.): Visual Modernity in the Arab World, Turkey and Iran: Reintroducing the 'Missing Modern', Asiatische Studien / Études Asiatiques 70:4, 2016, pp. 1285 - 1306

Bank, Charlotte: "Llamar a las cosas por su verdadero nombre: la producción artística anónima y el levantamiento sirio", Fusion Journal 9, Anónimo: el vacío en la cultura visual, otoño de 2016

Bank, Charlotte: "El arte de la persuasión. Carteles del colectivo de artistas sirios anónimos Alshaab alsori aref tarekh", en:Malu Halasa, Zaher Omareen y Nawara Mahfoud (eds.): Syria Speaks. Art and Culture from the Frontline, Londres: Saqi Books 2014, pp. 66 - 83.

Bank, Charlotte:"Veiled Visuality. Video Art inSyria", ISIM Review, otoño de 2008.

Bank, Charlotte:"Marwan Kassab-Bachi", Enciclopedia Mathaf, Doha: Museo Árabe Mathaf de Arte Moderno, 2021

Bank, Charlotte: "Un/sichtbare Städte - die Bildwelten von Tammam Azzam", en Tammam Azzam Dämmerung und Morgenlicht, Sexten: Museum Rudolf Stolzy Berlín: Galerie Kornfeld 2020 (sin números de página).

Bank, Charlotte: "Metamorfosis perpetua. The Paintings of Marwan", Berlín: Galerie Haas 2018, pp. 13 - 14

Bank, Charlotte: "Vida precaria. La fotografía de Mohamed Badarne", en: Come Back Safely. Mohamad Badarne, Berlín: Centro Europeo de Derechos Constitucionales y Humanos e.V., 2016, pp. 85 - 87.

Bank, Charlotte: "Marwan. Topografías del alma", en :Marwan Qassab Bachi. Topografías del alma, Sharjah: Barjeel Art Foundation, 2014, pp. 1 - 3.

Bank, Charlotte y Leccas, Delphine: "Whose Contemporaneity?", en: Errors Allowed, Mediterranea 16 - Young Artists Biennial Ancona 2013, Macerata: Quodlibet 2013, pp. 130 - 137.

Bank, Charlotte: "Secretos a voces. Contemporary art in Syria", en: After the Rage, Atenas 2011(sin números de página).

Bank, Charlotte: "Still Lives - Still Alive", en:Mohammad Said Baalbaki, Damasco: Rafia Gallery, 2010 (sin números de página).

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