Veröffentlichungen

Bank, Charlotte: The Contemporary Art Scene in Syria: Social Critique and an Artistic Movement, London and New York: Routledge 2020

Bank, Charlotte: “Negotiating masculinity in the works of Iranian Diaspora artists”, in Schirin Nowrousian, Michael Hofmann and Tobias Schickhhaus (eds.): Transkulturelle Wechselwirkungen durch Künste und Soziales. Iranische Diaspora in Europa und darüber hinaus, Würzburg: Königshausen and Neumann 2022, pp. 123 – 137

Bank, Charlotte: “Performing critique: Chaza Charafeddine’s Divine Comedy as an inter-temporal dialogue on gender and sexual diversity“, in Pedram Khosronejad (eds.): Beauty and the Beast: photography, the body and sexual discourse in the Middle East and Central Eurasia, Journal of the Anthropology of the Contemporary Middle East and Central Eurasia 5 & 6, Summer 2017 – Winter 2018/19, S. 85 – 101 (erschienen 2021)

Bank, Charlotte: “Feminism and Social Critique in Syrian Contemporary Art“, in Ceren Özpınar and Mary Kelly (eds.): Under the Skin: Feminist Art from the Middle East and North AfricaToday, Oxford: Proceedings of the British Academy 2020, S. 26 – 40 

Bank, Charlotte: “Film and Video as a Space for Political Expression and Social Critique in Syria“, Artl@s Bulletin 9:1, 2020

Bank, Charlotte: “Give Sorrow Images: Trauma and Loss in the Works of Displaced Artists from Syria“, in Lucy Wrapson, Victoria Sutcliffe, Sally Woodcock und Spike Bucklow (eds.): Migrants: Art, Artists, Materials and Ideas Crossing Borders, London: Archetype Publications 2019, S. 130 – 140

Bank, Charlotte: “Art Education in Twentieth Century Syria“, in Nino Nanobashvili und Tobias Teutenberg (eds.): Drawing Education Worldwide! Continuities - Transfers – Mixtures, Heidelberg: University of Heidelberg Press 2019, pp. 305 – 319

Bank, Charlotte: “Remaking a world: Recently displaced artists from Syria in Berlin“, in: Johanna Rolshoven und Joachim Schlör (eds.): Artistic Positions and Representations of Mobility and Migration, Mobile Cultures Studies 4, 2018, S. 171 – 182

Bank, Charlotte: “Translating Commitment. Some Thoughts on Critical Artistic Production in the Arab World“, in: Jelle Bouwhuis (eds.): Furthering, nurturing and futuring Global Art Histories?, Kunstlicht 39:1, 2018, S. 35 – 42

Bank, Charlotte: “Painting as critique: Oil painting as a site for social and political negotiation in Syria“,in: Silvia Naef and Elahe Helbig (eds.): Visual Modernity in the Arab World, Turkey and Iran: Reintroducing the ‘Missing Modern’, Asiatische Studien / Études Asiatiques 70:4, 2016, S. 1285 – 1306

Bank, Charlotte: “Calling things by their real names: Anonymous artistic production and the Syrian uprising“, Fusion Journal 9, Anonymous: The Void in Visual Culture, Fall 2016

Bank, Charlotte: “The Art of Persuasion. Posters of the Anonymous Syrian Artist Collective Alshaab alsori aref tarekh“, in:Malu Halasa, Zaher Omareen and Nawara Mahfoud (eds.): Syria Speaks. Art and Culture from the Frontline, London: Saqi Books 2014, S. 66 – 83

Bank, Charlotte: “Veiled Visuality. Video Art in Syria“, ISIM Review, Fall 2008

Bank, Charlotte: "Marwan Kassab-Bachi", Mathaf Encyclopedia, Doha: Mathaf Arab Museum of Modern Art, 2021

Bank, Charlotte: „Un/sichtbare Städte – die Bildwelten von Tammam Azzam“, in Tammam Azzam Dämmerung und Morgenlicht, Sexten: Museum Rudolf Stolz und Berlin: Galerie Kornfeld 2020 (ohne Seitenzahlen)

Bank, Charlotte: „Perpetual Metamorphosis. The Paintings of Marwan“, Berlin: Galerie Haas 2018, S. 13 – 14

Bank, Charlotte: „Precarious Life. The Photography of Mohamed Badarne“, in: Come Back Safely. Mohamad Badarne, Berlin: European Center for Constitutional and Human Rights e.V., 2016, S. 85 – 87

Bank, Charlotte: „Marwan. Topographies of the Soul“, in:Marwan Qassab Bachi. Topographies of the Soul, Sharjah: Barjeel Art Foundation, 2014, S. 1 – 3

Bank, Charlotte und Leccas, Delphine: „Whose Contemporaneity?“, in: Errors Allowed, Mediterranea 16 – Young Artists Biennial Ancona 2013, Macerata: Quodlibet 2013, S. 130 – 137

Bank, Charlotte: „Open Secrets. Contemporary art in Syria“, in: After the Rage, Athens 2011(ohne Seitenzahlen)

Bank, Charlotte: „Still Lives – Still Alive“, in:Mohammad Said Baalbaki, Damascus: Rafia Gallery, 2010 (ohne Seitenzahlen)

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